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Satire, Latin. --- Latin satire --- Latin wit and humor --- Rome --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy)

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Faith in literature. --- Theology in literature. --- Religion in literature. --- Rationalism in literature. --- Belief and doubt in literature. --- Verse satire, American --- Christian poetry, American --- Freethinkers --- Christianity and literature --- Religion in drama --- Religion in poetry --- American verse satire --- American poetry --- Free thinkers --- Rationalists --- Literature and Christianity --- Literature --- Christian literature --- History and criticism. --- History --- Chauncy, Charles, --- Dwight, Timothy, --- In literature. --- T. W., --- W., T., --- Chauncey, Charles,

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This book explores the whole range of the output of an exceptionally versatile and innovative poet, from the Epodes to the literary-critical Epistles. Distinguished scholars of diverse background and interests introduce readers to a variety of critical approaches to Horace and to Latin poetry. Close attention is paid throughout to the actual text of Horace, with many of the chapters focusing on reading a single poem. These close readings are then situated in a number of different political, philosophical and historical contexts. The book sheds light not only on Horace but on the general problems confronting Latinists in the study of Augustan poetry, and it will be of value to a wide range of upper-level Latin students and scholars.

Epistolary poetry, Latin --- -Influence (Literary, artistic, etc.) --- Laudatory poetry, Latin --- -Verse satire, Latin --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Latin verse satire --- Latin poetry --- Latin laudatory poetry --- Latin epistolary poetry --- History and criticism --- Horace --- -Horace --- Orazio --- Horacij Flakk, Kvint --- Criticism and interpretation --- Rome --- In literature. --- Poésie satirique latine --- Influence (Literary, artistic, etc.) --- Verse satire, Latin --- History --- Criticism and interpretation. --- Horatius Flaccus, Quintus --- Horatius Flaccus, Q. --- In literature --- History and criticism. --- Poésie épistolaire latine --- Poésie élogieuse latine --- Histoire et critique --- Epistolary poetry [Latin ] --- Laudatory poetry [Latin ] --- Verse satire [Latin ] --- Rome in literature --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Arts and Humanities --- Influence (Literary, artistic, etc.) - History - To 1500 --- Epistolary poetry, Latin - History and criticism --- Laudatory poetry, Latin - History and criticism --- Verse satire, Latin - History and criticism --- Horace - Criticism and interpretation --- Rome - In literature

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This book provides a new literary treatment of an often-overlooked collection of fragmentary poems from the third century B.C.E. Alexandrian poet Callimachus. Callimachus' Iambi form a collection of thirteen poems, which rework archaic Greek iambography and look forward to Roman satire and other genres, especially to such collections as Horace's Epodes. The poems are especially significant as examples of cultural memory since they are composed both as an act of commemorating earlier poetry and as a manipulation of traditional features of iambic poetry to refashion the iambic genre. This book fills a significant gap by providing the first complete translation of several of these fragmentary poems in English, along with line-by-line commentary, notes, and literary analysis.The structure of the book is thematic, with chapters focusing on such topics as poetic voice, fable, ethical criticism, and statuary. Each chapter consists of an introduction, text and selected critical apparatus, translation, and comprehensive thematic discussion. Acosta-Hughes focuses especially on Callimachus' manipulation of traditional features of archaic iambic poetry such as persona loquens, ethical and critical message, and eristic dialogue. He also includes a detailed analysis of the Alexandrian poet's artistic relationship with the earlier iambic poets Archilochus and Hipponax. Polyeideia will interest not only readers of Greek and Hellenistic poetry but also readers of Roman satire and invective verse, as well as those intrigued by the processes of memorializing and fashioning poetic culture.

Iambic poetry, Greek --- History and criticism. --- Callimachus. --- History and criticism --- Poésie iambique grecque --- Histoire et critique --- Hipponax, --- alexandria. --- archilochus. --- biography. --- callimachus. --- classicism. --- eristic dialogue. --- ethics. --- fable. --- folklore. --- fragmentary poems. --- greece. --- greek poetry. --- greek. --- hellenism. --- hipponax. --- iam. --- iambic genre. --- iambic poetry. --- iambic poets. --- invective verse. --- literary criticism. --- literature. --- myth. --- persona loquens. --- poetic form. --- poetic voice. --- poetry. --- satire. --- social commentary. --- third century.

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Dickens scholar Jerome Meckier's acclaimed Hidden Rivalries in Victorian Fiction examined fierce literary competition between leading novelists who tried to establish their credentials as realists by rewriting Dickens's novels. Here, Meckier argues that in Great Expectations, Dickens not only updated David Copperfield but also rewrote novels by Lever, Thackeray, Collins, Shelley, and Charlotte and Emily Brontë. He periodically revised his competitors' themes, characters, and incidents to discredit their novels as unrealistic fairy tales imbued with Cinderella motifs. Dickens darkened his fa

Parody. --- Cinderella (Legendary character) --- Tragicomedy --- English literature --- Cinderella (Tale) --- Tales --- English fiction --- Comic literature --- Literature, Comic --- Travesty --- Satire --- Burlesque (Literature) --- Caricature --- Civilization, Arab --- Cinderilla (Tale) --- Folk tales --- Folktales --- Folk literature --- History and criticism. --- Arab influences. --- Dickens, Charles, --- Morell, Charles, --- Dickens, Charles --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy, --- Contemporaries. --- Knowledge --- Folklore.